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SHINHWA Deep Dive #4/4: Racism, Protest, and The Messy Legacy Of 1st Gen Kpop
TW: mention and discussion of cultural appropriation, racism, and the n-word. Deeper discussion in a separate…
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LOONA Deep Dive #3/3: Twelve Until The End
Here’s a reminder of my credentials: LOONA first appeared on my radar thanks to my Orbit…
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Enhypen Deep Dive #1/2: Go Big Or Go Home
ENHYPEN are a part of the 4th generation of k-pop, debuting in 2020 with seven members:…
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LOONA Deep Dive #1/3: Twelve Until The End
As you may (or may not) know, LOONA’s Korean name means Girl Of The Month, since…
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TWICE Deep Dive #3/4: A Ten Year Journey From Teenage Love To Fully Fledged Idols
Here are my credentials (again, again): TWICE, as they are for a lot of people, were…
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TWICE Deep Dive #2/4: A Ten Year Journey From Teenage Love To Fully Fledged Idols
Here are my credentials (again): TWICE, as they are for a lot of people, were one…
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TWICE Deep Dive #1/4: A Ten Year Journey From Teenage Love To Fully Fledged Idols
TWICE is one of the most popular k-pop groups right now—as they’ve been for the last…
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9Muses Deep Dive #1/2: More Than Just Pretty Faces
9Muses has since disbanded, but as of their last comeback, their members were Hyemi, Sungah, Gyeongree,…
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EXID Deep Dive: The Ups & Downs Of Fame And Freedom
EXID debuted towards the end of the 2nd generation, in 2012, with eight members: Solji, Elly,…
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NCT Dream Deep Dive #2/3: Growing Up In The Public Eye
So, here are my credentials (again!). NCT Dream was actually one of the first reviews I…
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NCT Dream Deep Dive #1/3: Growing Up In The Public Eye
NCT Dream is one of several units of NCT, the others being NCT 127, NCT U,…
7 responses to “SHINHWA Deep Dive #4/4: Racism, Protest, and The Messy Legacy Of 1st Gen Kpop”
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[…] “Venus” by SHINHWA […]
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[…] time, we’ll finally be finishing the SHINHWA deep dive, so stay tuned. […]
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[…] Best Songs: Venus, On The Road, Let It Go […]
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[…] (Part One) (Part Two) (Part Four) […]
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[…] (Part One)(Part Three)(Part Four) […]
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[…] (Part Two)(Part Three)(Part Four) […]
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[…] Perfect Man; SHINHWA (2002) […]
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